It sounds like a Greek word, doesn’t it? Most of us see chyrons every day but perhaps didn’t realize they had a name. A chyron is the electronically generated caption on the bottom of your television screen, usually giving you headlines or recent news updates. It was first seen in the 1970s and is named for its developer, the Chyron Corporation. The word is pronounced KYron.
Sent to me by my friend Marilyn, another language maven. Enjoy.
50 Rules for Writing Good
One of the more popular items that circulate through the network of folk faxology is a perverse set of rules along the lines of Thimk, We Never Make Mistakes and (this one runs off the page) PlanAhe…. These injunctions call attention to the very mistakes they seek to enjoin. English teachers, students, scientists and (scientific) writers have been circulating a list of self-contradictory rules of usage for more than a century, and have been collecting and creating them for almost half of one. Whatever you think of these slightly cracked nuggets of rhetorical wisdom, just remember that all generalizations are bad.
- Each pronoun should agree with their antecedent.
- Between you and I, case is important.
- A writer must be sure to avoid using sexist pronouns in his writing.
- Verbs has to agree with their subjects.
- Don’t be a person whom people realize confuses who and whom.
- Never use no double negatives.
- Never use a preposition to end a sentence with. That is something up with which your readers will not put.
- When writing, participles must not be dangled.
- Be careful to never, under any circumstances, split infinitives.
- Hopefully, you won’t float your adverbs.
- A writer must not shift your point of view.
- Lay down and die before using a transitive verb without an object.
- Join clauses good, like a conjunction should.
- The passive voice should be avoided.
- About sentence fragments.
- Don’t verb nouns.
- In letters themes reports and ads use commas to separate items in a series.
- Don’t use commas, that aren’t necessary.
- “Don’t overuse ‘quotation marks.’ “
- Parenthetical remarks (however relevant) are (if the truth be told) superfluous.
- Contractions won’t, don’t and can’t help your writing voice.
- Don’t write run-on sentences they are hard to read.
- Don’t forget to use end punctuation
- Its important to use apostrophe’s in the right places.
- Don’t abbrev.
- Don’t overuse exclamation marks!!!
- Resist Unnecessary Capitalization.
- Avoid mispellings.
- Check to see if you any words out.
- One word sentences? Eliminate.
- Avoid annoying, affected, and awkward alliterations, always.
- Never, ever use repetitive redundancies.
- The bottom line is to bag trendy locutions that sound flaky.
- By observing the distinctions between adjectives and adverbs, you will treat your readers real good.
- Parallel structure will help you in writing more effective sentences and to express yourself more gracefully.
- In my own personal opinion at this point of time, I think that authors, when they are writing, should not get into the habit of making use of too many unnecessary words that they don’t really need.
- Foreign words and phrases are the reader’s bete noire and are not apropos.
- Who needs rhetorical questions?
- Always go in search for the correct idiom.
- Do not cast statements in the negative form.
Hemingway, no dictionary in sight
Again, my thanks (and yours, I hope) to Nicki:
“He has never been known to use a word that might send a reader to the dictionary.” -William Faulkner (about Ernest Hemingway)
“Thank you for sending me a copy of your book; I’ll waste no time reading it.”
“I didn’t attend the funeral, but I sent a nice letter saying I approved of it.”
“He has no enemies, but is intensely disliked by his friends.” -Oscar Wilde
From my friend Nicki, here are some insults from famous people. Oh, the power of words!
A member of Parliament to Disraeli: “Sir, you will either die on the gallows or of some unspeakable disease.” “That depends, Sir,” said Disraeli, “whether I embrace your policies or your mistress.”
“He had delusions of adequacy .” -Walter Kerr (theater critic)
“He has all the virtues I dislike and none of the vices I admire.” – Winston Churchill
“I have never killed a man, but I have read many obituaries with great pleasure.” -Clarence Darrow
Stay tuned for more.
One of my favorite programs is “The Great British Baking Show.” In an early season, a show photographer caught this image of a squirrel on the grounds where the program is shot. (The contestants often use nuts in their recipes, and this photo does indicate a squirrel that is definitely well hung. But I digress.)
My husband and I hung some of my paintings today. Since everything I do makes me think of language, of course I thought of the difference between hanged and hung, two words that are frequently used interchangeably and incorrectly. I originally wrote this post over four years ago, without the squirrel, so I thought I’d do a rerun. Here’s the scoop:
HANGED is used for executions or suicide: “The criminal was hanged.” Sometimes you see “hanged to death” along with “strangled to death” and “starved to death.” Those are all redundancies. If you’re hanged, strangled or starved, you are dead.
HUNG is used for decor: “Angela hung the picture of the well hung model on her bedroom wall.”
To my consternation, I have noticed that many people and advertising companies, perhaps the majority, omit a comma when a person’s or team’s name is in the sentence. I’ll add an X where commas belong in the sentences below. Pay particular attention to sentences that directly address a person.
Good for youX Henry!
NoX Sam, you are wrong about who started the argument.
Good morningX everyone.
In the last example, if you use the comma you are springing a surprise on Marlena. Without the comma, you are ordering someone to surprise Marlena as opposed to surprising someone else.